Minions of the evil King

Here is another piece of my BFA final project

These are the basic sort of minions every evil Lord should have, horsemen, basic grunts, sorcerers, stealthy archers, gladiators, and giant slobberknockers!

Volsungsaga : The main three

So I am going to post  some of my BFA show onto my Blog, I hope you all enjoy it! Today is the silhouette studies of the three main characters, Weyland, Bodvild, and Nidud respectively.

Bee-dee-bee-dee-bee-dee

Here are some ideas for Twiki, Buck's faithful robot drone sidekick!

Captain Anthony Rogers

Here is Captain Anthony "Buck" Rogers

Buck Rogers' Space Blaster

I decided to flesh out a prop I have been working on for a little while, I hope ya'll dig!

Vampire Babe

Here is a video game character for the character select screen portion of the student film I am working on (expressions coming up)

Goblin

Here is a Goblin in a funny little outfit.

Nifelheimer

I worked a bit on this, there are some areas  (cough cough the back) that i probably should have pushed further, but I feel it came out pretty awesomely.

Bodvild

Bodvild is the daughter of the evil King Nidud. After the entrapment of Weyland, Bodvild received the ring of his former beloved, Hervor. In some versions of the story, Bodvild falls in love with Weyland and bears his child, after she visits him to have her new ring re sized.

Shape-imals

after one thousand years... I made a Layout

Early Morning Gesture Studies

There's no place like Home

(silhouette studies are an important preliminary step)

Dorothy's house was pretty fun to do, I figured I would go for a very simple style for presentation that focuses more on shape design instead of detail. When designing and environment I feel it is important to work out the architecture and other structures first, then worry about where they are placed in the composition. Now that I have the basic idea of the house, I will base a three dimensional design off of the silhouette.

People of the Harvest

(variety in every one)

The Munchkins were a group of people that lived under the oppression of the Wicked Witch of the East. Above are some quick sketches of them.

When designing them I kept in mind that their life styles were not all that far from that of the Hobbits from Lord of the Rings. Seeing as they have more of a rural life style, I based their shapes off of squash like vegetables. The color scheme I used was a washed out blue. Blue was the color of the Munchkin kingdom, and I washed it out to show the drab life style they faced while under the oppression of the evil witch.

The Wonderful Wizard of Oz

I have been working on a few portfolio related pieces involving L. Frank Baum's The Wonderful Wizard of Oz.

Above I have two character lineups I have been working on, the top are my pencil rough's of the characters and below are the colors I plan on using with each character. I am certain a majority of people have seen the film based loosely on the book, The Wizard of Oz, so they will be familiar with most of the characters presented here, however, I am going to explain why I designed the characters the way I did.

The Scarecrow feels he will never be smart because he doesn't have brains, ironically he comes up with the most solutions in the group, my design for him gives him a carefree look and an over-sized head to show that he is less worried about the world around him, and more focused on what is going on inside his head, the inspiration for his look was Spike from Cowboy Bebop.

The Cowardly Lion was a real challenge to design. He has the largest mass and body of them all, however his posture shows a lack of confidence and shyness in his character. I originally went for sharper features, because Lions normally do, but to avoid having too confident looking of a character, I added more curves and circles to his overall form to help bring out his docile nature.

The Tin Man I gave Lumberjack proportions to his body, a larger chin, upper torso, and forearms is a common trend to those body types. I was certain to make his chest large because he had a large heart, or at least a strong conscience about all living things around him, truly one of the more emotional characters in the book. The red vest and beanie combo are tokens of his former life that he never let go of.

Dorothy went through many transformations. From young adult, to an adolescent child, I chose to go for very young age to help impress upon her innocence. I was certain not to go too far overboard with her design because I wanted to make her the most relate-able character. Even though she comes from a colorless world, I thought making her more vibrant than most of the characters would show how she brings color and harmony into the very colorful land of Oz.